Paine, Garth. “Playing and Hearing Sonic Environments.” Accessed October 3, 2016. https://www.academia.edu/3578312/Playing_and_Hearing_Sonic_Environments.

Fiesst, Sabine. “John Cage and Improvisation: An Unresolved Relationship.” In Musical Improvisation: Sound,  Society and Education, edited by Gabriel Solis and Bruno Nettl, 38–51. Chicago: University of Illinois Press, n.d.

Feisst, Sabine. “John Luther Adams – An Avant-Garde Composer in Alaska.” In Beyond the Centres: Musical Avant-Gardes Since 1950. In Memoriam Yannis Andreou Papaioannou (1910–1989), edited by Costas Tsougras, Danae Stefanou, and Kostas Chardas. Thessaloniki: Aristotle  University, 2010.

Feisst, Sabine, Leah Barclay, Garth Paine, and Daniel Gilfillan. “The Listen(n) Project: Acoustic Ecologies of the American Southwest Desert(s) and  Transmedia Dissemination.” In Invisible Places – Sounding Cities: Sound Urbanism and Sense of Place, edited by Raqeul Castro and Miguel Carvalhais, 298–310. Viseu: World Forum for Acoustic Ecology, 2014.

Feisst, Sabine, Leah Barclay, Garth Paine, and Daniel Gilfillan. “The Listen(n) Project: Acoustic Ecology as a Tool for Remediating Environmental Awareness.” In International Symposium on Electronic Art 2015: Disruption Proceedings, edited by Phillipe Pasquier and Thecla Schiphorst. Vancouver: Simon Fraser University, 2015.

Feisst, Sabine. “Negotiating Nature, Music and Technology: Ecological Thought in the Works of Maggi  Payne and Laurie Spiegel.” In New Directions in Ecomusicology, edited by Aaron Allen and Kevin Dawe. Routledge, 2015.

Feisst, Sabine. “‘Allô, Ici La Terre!’: Four Case Studies of Ecological Composition, Performance and Listening.” In Agency on Active Grounds in the Environmental Humanities, edited by Mario Trono and Robert Boschman. Winfrid Laurier University Press, 2016.

Feisst, Sabine. “Music as Place, Place as Music: The Sonic Geography of John Luther Adams.” In The  Farthest Place: The Music of John Luther Adams, edited by Bernd Herzogenrath, 23–47. Lebanon, NH: University Press of New England, 2012.

Feisst, Sabine. “The City as Muse: Annie Gosfield’s New York City Soundscapes.” edited by Sebastian Klotz, Vol. 2. Musik – Stadt: Traditionen Und Perspektiven Urbaner Musikkulturen, n.d.

Paine, Garth. “Interactive, Responsive Environments : A Broader Artistic Context.” Engineering Nature : Art and Consciousness in the Post-Biological Era, 2006. http://researchdirect.westernsydney.edu.au/islandora/object/uws%3A7896/.